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Vincent, by Joseph Fasano
Ebook Download Vincent, by Joseph Fasano
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Poetry. "Authorities say a man was stabbed to death, decapitated and partly cannibalized in what appears to be a random act of violence on board a bus that was en route to Winnipeg late Wednesday." With these starkly haunting words from a 2008 Canadian news report, Joseph Fasano begins VINCENT, a book-length poem based on Vince Li's killing of Tim McLean on a Greyhound bus near Portage la Prairie, Manitoba. Using a fictionalized first-person narrative from the perspective of the killer, Fasano explores the inner workings of a disturbed mind trying to come to terms with a horrific act that even its perpetrator cannot fully comprehend. "Have you smelled the rose oil / in the shoes of the dead... have you woken / and woken / and woken," the speaker asks us. And the poem will not let us say no.
- Sales Rank: #2086007 in Books
- Published on: 2015-06-01
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x 5.50" w x .50" l, .30 pounds
- Binding: Paperback
- 88 pages
Review
This book-length poem, told through the mask of a murderer, demands to be read in one sitting. Indeed, the thing held me spellbound with its quiet mania, its seductive otherworldliness, from start to finish, so much so that I wondered, who would dare refuse the ride, the chance to be driven by a single unrelenting sentence to a lyricism bordering on derangement from which there is no return? Not only is this Joseph Fasano's finest book to date, it's also the best long contemporary poem that I've read since I can't remember when. --Timothy Liu, author of Don t Go Back To Sleep
Robert Browning meets Randall Jarrell meets Ai in Joseph Fasano's explosive narrative of a man's psychosis. It is not only excellently crafted, but there is not a moment to lose interest in its urgency as it barrels on to its disastrous end. Vincent is a must-read. --Noelle Kocot, author of Soul in Space
What does it mean to enter into and imagine the darkest corners of the human psyche? In Vincent, Joseph Fasano not only puts on the mask of depravity, he imagines the speech acts and interior monologues of a killer, as though that killer had the associative diligence and skill of a poet. The result is an unnerving book that challenges the reader's assumptions about the role of beauty in poetry. Vincent is a chilling, memorable accomplishment. --Mark Wunderlich, author of The Earth Avails
About the Author
Joseph Fasano was born and raised in New York State's Hudson River Valley. He earned a BA in philosophy from Harvard University in 2005 and an MFA from Columbia University in 2008. His poem "Mahler in New York" won the 2008 RATTLE Poetry Prize, and he has been a finalist for the Missouri Review Editors' Prize, the Times Literary Supplement Poetry Competition, the Kinereth Gensler Award from Alice James Books, and the Autumn House Press Poetry Prize. He teaches at Columbia University, among other institutions. He is the author of three poetry collections published by Cider Press Review: VINCENT (2015), FUGUE FOR OTHER HANDS (2013), and INHERITANCE (2014).
Most helpful customer reviews
3 of 3 people found the following review helpful.
A spectacular journey into a troubled consciousness
By Gregory Atwan
Like a dream, Vincent crouches down and picks up events, persons, the soil of normal life, but then transforms them into something strange, wonderful, and ineluctable—frightening and disconcerting as much as it touches on the eternal and the sublime. When it is over, you feel like Jacob transformed to Israel in the night: something has attacked you, wrestled you down, and maybe held your face up to glimpse a beauty you can't explain or recreate. The thing was high and powerful enough that you have to call it genius, but it was also dirty, bloody, human, and it gave you an inheritance because you wrestled back.
An epigraph reminds us that nearly 10 years ago a disturbed person committed a shocking act on a bus deep in the Canadian steppe. The plain, italicized prose from the news report is in some ways some of the most potent poetry in the book—like a single-note motif at the beginning of a great symphony. It provides the material for a whirring brilliance that will engulf the next few hours of the reader's conscious life.
The book's other important piece of writing that isn't explicitly poetry, a legal disclaimer, tells us that this is a work of fiction "based very loosely on an actual event." This isn't a book about Vince Li, the mentally ill person who did the unthinkable thing. It is a book about Vincent—a name that is a gerund—a constantly happening, inexhaustible voice that underscores the beauties and tragedies of our evicted and alienated lives.
Of course, the bus is still there, rolling to a halt on the prairie road in the narrator's memory, but what is truly remarkable is the transformation Vincent (the book and the character) achieves of this event, these persons—from the blood and the marrow of the thing into the pure-and-yet-hopelessly-muddy experience of examining ourselves, our language, and the lightning that flashes now and then between those two worlds. Fasano's poetry overflows with wit, sadness, the seduction and disappointment of rhythm, and the author's extraordinary gift for metaphor that tells perfectly but does not presume to explain. In 75 pages of careening, careful, beautiful verse, unencumbered by trendiness and breathtakingly sincere, his Vincent tells us a story in moments and figures. No excerpt can do it justice: Like the best streams of consciousness, every line somehow improves the last one and is haunted by it. In the end, it is a story that touches all of us but which all of us fail to grasp most of the time.
This is a thrilling, challenging, exasperatingly lovely book. You simply can't miss it.
1 of 1 people found the following review helpful.
perhaps the most thought-provoking long-form poem published in this century
By the Wasteband
Much have I travell'd in the realms of gold, till I heard Fasano speak out loud and bold.
This is the third volume of Joseph Fasano's poetry that I have had the pleasure of enjoying. I've found this work to be his most captivating and groundbreaking. Indeed, this is perhaps the most thought-provoking long-form poem published in this century that I have come across.
Born from a senseless act of human brutality, "Vincent" echoes this dismemberment in a schizoid layout and structure. Fasano brilliantly reminds us of the power of poetry as a physical object. On their own, so many of the verses are worthy of deep wondering and enjoyment. Let the reader be warned that many of these fragments have indeed caused me to lose sleep.
Like a primordial chaos, each piece of madness, sorrow, and beauty somehow bind together like sacred verse. In doing so, Fasano defies the mindlessness of a brutal crime with a work of art that restores humanity to the darkest areas of the soul.
1 of 1 people found the following review helpful.
A powerful and unique poetic voice
By Eddie Coyle
Yes, this long poem was stimulated by an actual bizarre 2008 homicide. But don't think that "Vincent" the narrator is simply intended to represent a deranged way of seeing the world. For Fasano, Vincent is what Henry James would call a "compositional resource," and as such allows him to expand exponentially the dimensions of poetic language. It is an astonishing performance that in its own unique fashion invents a radically new colloquialism that makes today's typical colloquial mode seem as relevant as a rotary telephone.
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