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This text tells the story of two interconnected groups: the performance art group COUM Transmissions (1969-1979) and the music group, Throbbing Gristle (1975-1981). COUM shocked art audiences with their public nudity and often masochistic art actions. TG likewise shocked music audiences with their sonic terrorism and explicit lyrics. The book documents both group's work and places it in the context of avant-gardism and permissiveness.
- Sales Rank: #250448 in Books
- Brand: Example Product Brand
- Published on: 1999-06-01
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x 1.50" w x 6.75" l, 2.07 pounds
- Binding: Paperback
- 300 pages
- Example Bullet Point 1
- Example Bullet Point 2
From Library Journal
Beware of post-postmodern types name-dropping COUM and Throbbing GristleTM as the proud parents of industrial music and industrial bands like Nine Inch Nails; that's the half-assed version to expect from people who think they invented black. Here, Ford shows the patience and respect of an extragenerational fan while detailing the frenetic evolution of COUM from a hippie freak-out band to a performance art troupe to TG, an anti-rock, anti-high art missionary. Although TG's attacks on social, political, sexual, musical, and artistic mores were brave, they often bordered on the hypocriticalAe.g., TG desired intimacy with its audience but used halogen lights and P.A. barricades to alienate people at live shows. Using his interviews with Chris Carter, Peter Christopherson, Genesis P-Orridge, and Cosey Fanni Tutti, Ford convincingly defends TG on every frontAincluding its use of fascist album imageryAand proves that COUM and TG elevated civilization more than they wrecked it. A dense but enlightening work; for larger public libraries.AHeather McCormack, "Library Journal"
Copyright 1999 Reed Business Information, Inc.
Most helpful customer reviews
0 of 0 people found the following review helpful.
An Awesome History on the pioneers of Industrial Culture
By Mithras "Unconquerable Sun" Sol Invictus
This book was a great introduction to the artistic exploits of
the controversial performance group Coum Transmissions. Although I was familiar with Throbbing Gristle since high-school, I had not heard of Coum before.It was fascinating how Coum transformed into the pioneers of industrial culture:Throbbing Gristle. T.G. stood out even amongst the explosive punk scene that was born as a reaction to the grim and gritty Thatcher years. They were even too radical for most punks. Well written and compelling, it contains some amazing background information into their method and madness. If you are interested in industrial culture,analog technology,art or music of the seventies,magick,or simply have a morbid curiosity then this book is for you.One of the best art/music books that I have read in a long time with lot's of great and rare photos. One particular side effect of reading this book was that i developed a fascination for front man Genesis P. Orridge and I encourage everyone to investigate and acquaint themselves with this cultural engineer who played a major role in introducing not only 'industrial' music but also body modification,rave culture, and magick to the public. As a result of reading Wrecker's I am now totally absorbed in Gen's Psychick Bible which I also highly recommend.
0 of 1 people found the following review helpful.
Wreckers of Civilisation
By K Lee
This book will provide plenty of insight for any enthusiast who desires more context in which to understand the motives behind TG.
Plenty of back story illuminates the early adventures of a couple of nutty kids in love as they parlay their penchant for mischief into successful anti-careers. Join two art damaged acid-heads as they learn how to navigate the sexual/socio/political spectrum of 1970s England while utilizing confrontational happenings in a bid to transcend physical and mental hang ups; all the while petitioning the British arts counsel to fund their next performance art piece which sought to provoke enough outrage to dismantle the very system that kept Genesis in Porridge. When the authorities finally had enough they took him to court and withdrew funding for his Cotex chewing exhibitions. Once the arts funding dried up Cosey Fanni Tutti turned to pornography to pay the bills and Gen decided to form another band with the guy that did record sleeves for Pink Floyd. In the end it was plain old relationship issues – jealousy - that precipitated the decay. These guys were the Fleetwood Mac of Industrial Noise. God bless 'em.
0 of 0 people found the following review helpful.
Extremely thorough!
By Gerald Martinez
If you really like TG and want to learn as much as you can about them, then this is the book for you. Great! Not for the faint-hearted....
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