Kamis, 11 September 2014

[Q623.Ebook] Fee Download Elements of Topology, by Tej Bahadur Singh

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Elements of Topology, by Tej Bahadur Singh

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Elements of Topology, by Tej Bahadur Singh

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Elements of Topology, by Tej Bahadur Singh

Topology is a large subject with many branches broadly categorized as algebraic topology, point-set topology, and geometric topology. Point-set topology is the main language for a broad variety of mathematical disciplines. Algebraic topology serves as a powerful tool for studying the problems in geometry and numerous other areas of mathematics.

Elements of Topology provides a basic introduction to point-set topology and algebraic topology. It is intended for advanced undergraduate and beginning graduate students with working knowledge of analysis and algebra. Topics discussed include the theory of convergence, function spaces, topological transformation groups, fundamental groups, and covering spaces.

The author makes the subject accessible by providing more than 250 worked examples and counterexamples with applications. The text also includes numerous end-of-section exercises to put the material into context.

  • Sales Rank: #3184475 in Books
  • Published on: 2013-05-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 6.25" w x 1.00" l, .0 pounds
  • Binding: Hardcover
  • 552 pages

Review

"Each section ends with a carefully composed list of related exercises, and the entire text is interspersed with numerous instructive, directly related examples and counterexamples as well as with many illuminating figures and diagrams. Together with the utmost lucid, detailed, and didactically well-balanced presentation of the material, these special features make the book a suitable source for self-study on the one hand and for a profound course in topology on the other. Both students and instructors can profit a great deal from this excellent primer, which shows the author’s rich teaching experience just as much as his expository skills throughout the book."
―Werner Kleinert, Zentralblatt MATH 1273

"I can’t think of any significant topic that I would like to see covered in an introductory topology course that is not discussed here. Not only does this book cover the standard examples of quotient spaces and mention applications of Baire category, but it also contains very nice discussions of other topics that I think really enhance such an introductory course. … all of the extra material included in this book allows for a degree of flexibility that is not present in Simmons [Introduction to Topology and Modern Analysis]. … The pedagogical value of the book is also enhanced by the presence of quite a number of exercises of varying levels of difficulty and also a substantial number of detailed examples in the text itself. … This text presents a considerable amount of material in a clear and accessible way and should be carefully considered for textbook adoption by anybody teaching a course in point-set topology."
―Mark Hunacek, MAA Reviews, November 2013

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Senin, 08 September 2014

[S386.Ebook] Free Ebook The MIDI Companion: The Ins, Outs and Throughs, by Jeff Rona

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The MIDI Companion: The Ins, Outs and Throughs, by Jeff Rona



The MIDI Companion: The Ins, Outs and Throughs, by Jeff Rona

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The MIDI Companion: The Ins, Outs and Throughs, by Jeff Rona

(Book). Here's your complete guide to using MIDI synthesizers, samplers, soundcards, sequencers, computers and more! The MIDI Companion shows how a MIDI system or systems for a wide range of situations can be assembled quickly, easily and trouble-free. Describes how to synchronize MIDI sequencers, drum machines, multitrack equipment, SMPTE-based equipment, and other MIDI instruments. Describes each and every MIDI code and the techniques used in transmitting these codes between various MIDI devices. Explains how to get the most out of any musical situation that calls for the use of synthesizers and electronic musical instruments. This totally new edition includes more information on the actual applications and musical uses for MIDI. A complete chapter devoted to General MIDI, plus the charts for GM sounds. Two additional new chapters on The MIDI Studio and MIDI And The Personal Computer. New diagrams, updated diagrams, new graphics. Profusely illustrated with pictures, photographs and diagrams, and also includes a detailed glossary.

  • Sales Rank: #1309727 in Books
  • Brand: Hal Leonard
  • Model: 183500
  • Published on: 1994-02-01
  • Released on: 1994-02-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.00" h x .28" w x 9.00" l, .77 pounds
  • Binding: Paperback
  • 96 pages
Features
  • Used Book in Good Condition

From the Back Cover
This book is a guide for the musician, performer, producer, composer, recording engineer, computer enthusiast. You will learn nuts and bolts of MIDI technology. Develop an understanding of how MIDI systems-for-any occasion can be put together quickly and easily.

About the Author
Rona is a Composer and Synthesist

Most helpful customer reviews

6 of 6 people found the following review helpful.
Best Book I've Found On MIDI
By Skillet
This book is thin and concise, I have read many books on MIDI and have found none to be as useful as this and has my full recommendation.

I was prompted to write a review due the poor and inaccurate reviews that say it is out dated. Sure maybe buying a book about Microsoft operating system that is 10 years old would be considered out dated but that is far from the case here.

I challenge anyone to find a more concise book explaining MIDI anywhere. If you have read another MIDI book better than this, I most likely have read it and disagree with you! All the info in this book applies to working with MIDI in this year 2005 in any audio work station today or your Akai MPC or whatever.

As far as the reviewer that said their pages were stuck together, I am sorry, mine was not like that and you just got a bad copy.

2 of 2 people found the following review helpful.
Somewhat outdated
By Amazon Customer
This book was published in 1987 and reprinted in 1994. The book does recognize that it is really when the MIDI-instruments are connected to a computer that MIDI takes on its real power, but only 10% of the book talks about MIDI and computers. The chapter on computer tells you about the choice between PC, MAC, Atrari and Commodore, and explains in length what a CD-rom is, and why we need it (not all programs fit on a floppy disk...) Sequencer program are mentioned, but barely so.

The book does a fair job in explaining the MIDI standard and how it works, but it does not help me at all when I want to get started in connecting the components to my PC. I do think this was an excellent book in 1987, but digital music has moved on a long way since then.

1 of 1 people found the following review helpful.
MIDI On The Mind
By Gerald J. Somers
As a practicing musician for 45 years, and after reading quite a few books on the subject of MIDI, this book is another typical MIDI book. It tells of how and why it was developed. It's always good to know the roots of everything one studies but this does not help one understand how to make your keyboard tell your guitar effects processor to change to patch #3, your vocal effects processor to switch to patch #49 and use a command to raise the reverb level to a certain point at a precise millisecond, or maybe message,(talk), to another keyboard in the MIDI chain and tell it to do whatever you want, all at the same instant. MIDI is truly a beast worth utilizing, and works quite well, for some. But I wouldn't trust it with my life. All of these MIDI books give the history and theory of MIDI. Every MIDI object has its own method of giving a midi command or recieving one. This and every other book I've read on the subject of MIDI is just as this one. One you should have seen if the library had. Gerald Somers ggp.

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Kamis, 04 September 2014

[P428.Ebook] Free Ebook Ready for Anything: 52 Productivity Principles for Getting Things Done, by David Allen

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Ready for Anything: 52 Productivity Principles for Getting Things Done, by David Allen

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Ready for Anything: 52 Productivity Principles for Getting Things Done, by David Allen

In his bestselling first book, Getting Things Done, veteran coach and management consultant David Allen presented his breakthrough methods to increase efficiency. Now “the personal productivity guru” (Fast Company) shows readers how to increase their ability to work better, not harder—every day. Based on Allen’s highly popular e-newsletter, Ready for Anything offers readers 52 ways to immediately clear your head for creativity, focus your attention, create structures that work, and take action to get things moving.

With wit, inspiration, and know-how, Allen shows readers how to make things happen—with less effort and stress, and lots more energy, creativity, and effectiveness. Ready for Anything is the perfect book for anyone wanting to work and live at his or her very best.

  • Sales Rank: #77111 in Books
  • Brand: Penguin Books
  • Published on: 2004-12-28
  • Released on: 2004-12-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .50" w x 5.30" l, .36 pounds
  • Binding: Paperback
  • 192 pages
Features
  • Great product!

Review
No one makes the challenges of productivity more understandable and manageable. (Rob Johnston, President of Leader to Leader Institute) This fundamentally different look at productivity makes David's book not just a good read, but something [to] truly live by. (Keith Yamashita, author of "Unstuck: A Tool For Yourself, Your Team, and Your World") These powerful and practical pointers for living a more productive life are as subtle and rich as they are simple. (Arianna Huffington)

About the Author
David Allen is president of The David Allen Company and has more than twenty years experience as a consultant and executive coach for such organizations as Microsoft, the Ford Foundation, L.L.Bean, and the World Bank. His work has been featured in Fast Company, Fortune, Atlantic Monthly, O, and many other publications.

Excerpt. � Reprinted by permission. All rights reserved.
Introduction:Making It Easy to Take It Easy

MAXIMUM PRODUCTIVITY is making something happen=furniture, freeways, or fun=with as little effort as possible. The fact that we have 8efforte at all, though, implies that we confront resistance and impediments when we want to get anything done. Improving productivity has a lot to do with dealing more effectively with the hindrances, barriers, and distractions that show up in our way=anything that opposes or weakens our forward motion. In a totally frictionless world, everything would just appear as soon as it was imagined=there would be little need to train for greater flexibility and focus or to install better systems and approaches. In the world you and I inhabit, however, to really get what we want most effectively, we have to be ready for anything. And there are things we can all do, anytime, that make it easier to take things in stride and stay the course.

Ifve spent more than two decades exploring the best methods to achieve a more relaxed, positive, and sustainable way to live and work. And as a management consultant and productivity coach, Ifve helped thousands of professionals implement what Ifve discovered to be the best ways to work more productively and get more enjoyment from what theyfre doing. When people gain a method of achieving that kind of balance in their day-to-day endeavors, no matter whatfs going on, they have easier access to more of their intuition and creativity. They become better at processing information, managing their thoughts and feelings, focusing on results, and trusting their judgments about what to do next. They have a systematic approach in place for dealing with themselves and their work, which is far more useful than merely relying on ad hoc, reactive behaviors to bail them out of the pressures and crises of their world. When people know they have a process in place to handle any situation, they are more relaxed. When theyfre relaxed, everything improves. More gets done, with less effort, and a host of other wonderful side effects emerge that add to the outcomes of their efforts and the quality of their life.

The methods I teach came from the behaviors and the systems I discovered that worked the best to keep us at our best. Since the early 1980s, they have been tested and proven highly effective, from the ground up=for both individuals and organizations. The steps of this discovery and this process were described in my first book, Getting Things Done: The Art of Stress-Free Productivity. Its success around the world indicated that people across a wide spectrum of cultures and careers seemed ready for this information and eager for change. They were tired of feeling overwhelmed by their jobs and the business of life. They wanted to regain lost opportunities for creative thinking and playing. They were looking for a new approach, a system that could be counted on, no matter what kind of job they had or what kind of day they were having. They wanted a structure=but a natural one that matched their complex lifestyles and created more freedom, not more constraint.

While I was uncovering and implementing the details of the what, when, and how that made up the heart of my programs, I started doing something else: I began writing about the why behind these steps. Why did they work so well? Why did they consistently help people function at a higher capacity and feel better? Was something deeper at work here? What was the foundation behind this success? There seemed to be underlying principles that wove themselves in and through the methodology=factors that held true no matter when, where, or with whom they were applied.

A person can be an excellent race-car driver without knowing anything about gravity, even though gravity is the underlying force affecting everything one does behind the wheel. To win races, the driver needs only to master the steering, the speed on the straightaways, and the technique of the turns, and to remember to keep the car under control at all times. You do your job, and gravity will do its job. Manage yourself, and the automobile will be fine. But what if driving fast isnft enough after a while? What if you want to know more about why your skills work so well and how they keep you from crashing and burning? What if you want to get closer to the secrets behind your own successes? And what if understanding those secrets leads to more tools for productivity and even greater achievements?

In 1997, I began exploring these questions by compiling a set of principles that seemed to lie at the foundation of productive behavior and writing informal essays about the implications and applications of those truths in everyday life. I started to enlarge on my core premise that onefs ability to be productive was directly proportional to onefs ability to relax. I dug further into four main areas of productive behavior:

1.Capturing and corralling all our internal and external 8open loopse to regain clarity and energy.
2.Consciously managing our focus within the multiple levels of outcomes and responsibilities to which we are committed.
3.Creating trusted structures and consistent usage of them to trigger the appropriate focus and reminders as necessary.
4.Grounding it all with flexible, forward motion at the physical-action level.

I discovered that people didnft need more discipline as such=they needed a disciplined approach. They didnft need to work harder=they needed to define their work better at multiple levels of detail and stay focused on all of them simultaneously.

Behind all this lay the 8mind like watere concept, an image Ifd come across years ago while studying karate. When you throw a pebble into a pond, what does the water do? It responds with total appropriateness to the force and mass of the rock. It does nothing more and nothing less. It doesnft overreact or underreact. It doesnft react at all. It simply interacts with whatever comes to it and then returns to its natural state. The water can do that only by design. A human being can act this way only if he or she has a conscious system in place and if that system is built on principles that can withstand chaos and stress. Those principles must be aligned with something deeper in our nature.

Two years after I began writing the essays, I decided to write and distribute a newsletter to those who were becoming familiar with my methods. My hope was to galvanize a network of practitioners and to build a community of people dedicated to doing good work, sharing their best practices, and celebrating life. Each newsletter was intended to reinforce and expand the ideas behind relaxed control and performance excellence. I wondered if people would respond.

My answer soon exceeded my expectations. Within two years, our readership had grown tenfold, from two thousand to twenty thousand subscribers. A year later it had reached thirty thousand and was still gathering momentum. People were sending out the newsletters through their own online networks. They were being e-mailed across the country and around the globe. Other folks were printing, stapling, and binding hard copies and distributing them to their friends and colleagues. Still others were posting them in elevators at work. They were showing up everywhere. Some of the essays leaned more toward practical advice, and others delved below the surface. All were developing and growing my understanding of the 8why,e and all were adding value to what had come before.

The feedback was overwhelmingly positive=people seemed hungry for reinforcement of the basics, exploration of the subtleties, and the adventure of the surprises produced by some of the simplest techniques, tools, and awarenesses. These were hardly people in the Remedial Living class either=the most profound rewards from using this material have been reported by some of the best and brightest people on the planet, many already in the top percentiles of productivity, by anyonefs standards.

It was time to put this material together into a book of its own.

The following principles, commentaries, and essays form a body of thought that I believe offers more than just tips or tricks. Whether or not people implemented the complete method of best practices I delineated in Getting Things Done, there were still things everyone could do more and more consistently, anytime, that would improve their productivity and well-being. These are the elements you will find validated and reinforced in these principles and essays.

The writings have been sorted into the four major areas of productive behavior they support: completion, focus, structure, and action. The principles and essays grouped as such are meant not to be limited to these headings or to give an exhaustive exposition of those topics but rather to stimulate your own thinking and validations of better ways to handle things.

There are times when individuals (and groups) will get the most leverage out of completing old stuff and clearing the decks (Part I). Other times a focus on the right focus is the primary key (Part II). Still other situations will call for structures and systems as most important for growth (Part III). And others will require simply letting go of trying to get it perfect and just get going (Part IV). All these aspects are important, but often one specifically will be the trigger point for busting through into a next level of productivity. Part V offers checklists as reference and reminders of the core practices for staying on top of the flow.

You will notice that the essays are not precise expositions of the principles they follow but rather food-for-thought spins on the topics.* And the concluding 8By the way...e questions are merely catalysts for your own reflection about possible applications 8back at the ranch.e Human behavior and awareness can be at the same time really simple, really complex, and infinitely explorable, and Ifve tried not to nail down anything too hard. But youfll find at least hints as to how work functions at higher levels, how we function, and how the world functions. As you digest and put these principles into practice, there is a good chance you will contribute more to your job and to your life as a whole. Reading them will likely reinforce subtle changes in your perceptions, which lead to changes in behavior. A change in behavior leads to a change in action and in results. Things spiral outward in larger and larger ways. Change occurs, and a positive shift happens. Itfs most often the small things, done consistently in strategic places, that make the most difference.

As I said, you probably donft need to work harder. You also may not feel you have to institute the step-by-step system with all the parts and processes that Getting Things Done provided. But at times you still may need to manage incompletions better, be more creative and expansive, be more focused in your thinking, access your intuition, have better structures, be more flexible and relaxed, or just get moving on next steps. Any or all of the above will make you more productive. This book provides important perspectives in all of those areas and may have just the key you need to kick-start yourself into rewarding new levels of expression.

You will probably find something familiar about this material. Not that youfve read it anywhere else, but that you will recognize it as something you already know, intuitively. To gain value from this content does not require new skills or learning a complex body of new information. This writing will likely validate much of what you already know and do that works. But it will also challenge you to apply that awareness in a much more conscious and consistent manner=and thatfs where the real power lies. This is a compilation of effective perspectives and behaviors, applicable anywhere, anytime. Though each has merit by itself, as a whole they will provide a rich contextual experience greater than the sum of its parts. Whether you approach it ad hoc or straight through, I invite you to allow the bigger picture of a dynamic, positive readiness for life to emerge as you turn the pages.

I continue to be surprised with the seemingly infinite ways the principles of personal effectiveness can be examined and experienced. Our journeys always return to the same basic truths, but our explorations lead us back to those awarenesses in new and more profound ways. The thinking captured in this book will no doubt open more doorways and lead to further discoveries. One layer of meaning will give way to another and then another and another. The spiral will continue to expand. Itfs as interesting and inspiring to me to think about whatfs not yet in this book as of what is. I hope you will find it, as I have, a doorway instead of a final act.

The 8ready statee of the martial artist is not a passive, reactive, or finite one. It is totally dynamic, alive, creative, and expansive. But itfs not free. It is enabled by increasingly refined training and experience with work and life. May these principles serve as road signs and guideposts along your way.

*These principles are numbered sequentially for this book, not as they were in the newsletters (the initial numberings were arbitrary, as well). Also, some essays have been paired with different principles than those they were matched with originally.

1.

Cleaning up creates new directions.
Completion of open loops, whether they be major projects or boxes of old stuff wefve yet to purge and organize, prepares the ground for cleaner, clearer, and more complete energy for whatever shows up. Wefre often not sure whatfs next or what to tackle. At that point, just clean or complete something=something obvious and in front of you, right away. Soon youfll have the energy and clarity to know whatfs next, and youfll have cleared the decks for more effective responsiveness on every front. Process your in-basket, purge your e-mails, or clean your center desk drawer. Youfve got to do it sometime anyway.

Prepared for the Unknown?
SOMETHING IS COMING=probably within a few days=thatfs going to change your world. You donft see it yet. You donft know what itfs about. But itfs there, rolling inexorably forward, destined to throw you a curve that you do not expect. It could show up sooner or later=but it will show up. Trust me.

Write down these words exactly four weeks from today on your calendar: 8David Allen said a month ago that something was coming I couldnft foresee that would affect me significantly.e Prove me wrong.

Are you ready? Is that unexpected event or input going to add insult to injury by making you feel more out of control? Or are you going to see it as the next creative opportunity that takes you to a new level of expression and contribution? How are you preparing for the surprises that the new experience will invariably throw your way?

I think there are basically two levels to handle for any unforeseen opportunity:
1.The spiritual. If God is all, and youfre part of that, just relax.
2.All the rest. For this you must get your act together, so you can shift gears as required.

An old Asian proverb says, 8The more you sweat in peace, the less you bleed in war.e The military model is not a bad one=in the armed forces, if youfre not fighting, youfre training. Most people get ready for change a few days before a long vacation, when they divorce and have to sell everything they own and move, or when some other major life event causes them to rethink it all and get some clarity around their commitments and their 8stuff.e Theyfre cleaning up, closing up, and renegotiating all their agreements with themselves and others.

I suggest you do that weekly. And get yourself organized enough so that when a staff meeting is late to start, youfre processing your in-basket or cranking down your FYI-to-read stack. Or when youfre waiting for your spouse to get ready (like, actually ready), youfre checking to see if therefs a phone call you could make. I know very few people on the planet who care enough about their time and what theyfre doing, every minute, to maximize those kinds of windows. If you werenft taking advantage of your time that way, Ifd ask yourself, Why not?

Whenfs the last time you updated your projects list (those things that take more than one action to complete) and brought it current, with next actions for each one placed in your system? The degree to which you havenft done that is the degree to which you are enduring unnecessary stress.

And if you donft have one yet, get a ubiquitous idea-capturing tool. Something to write or record things on, whenever they occur to you. You need something thatfs always with you=on the beach, in the health club, at your desk, out for dinner. Itfs very helpful if you can tie it in with your wallet or purse, which is already in that category for you. The older, wiser, and more sophisticated you get, personally and professionally, the more your best ideas about something happen somewhere they canft be implemented at that moment.

You might understand intellectually that you should get everything out of your head that has potential future value or represents potential agreements with yourself and others. But you have to put that into practice by writing it down when it pops in. If you are getting any 8thing to doe out of reading this, where are you recording that? Pocket notebooks, three-by-five cards, miniature recorders=whatever.

Get your ubiquitous capture tool in place and functioning as a standard life accessory. Going somewhere without it should feel as weird as going out without shoes on. Itfll take you to a whole new level of creative thinking and doing.

All intellectual improvement arises from leisure.
=SAMUEL JOHNSON

It is the act of forgiveness that opens up the only possible way to think creatively about the future at all.
=FATHER DESMOND WILSON

When you know everything, you are like a dark sky. Sometimes a flashing will come through the dark sky. After it passes, you forget all about it, and there is nothing left but the dark sky. The key is never being surprised when all of a sudden a thunderbolt breaks through. And when the lightning does flash, a wonderful sight may be seen. When we have emptiness, we are always prepared for watching the flashing.
=SHUNRYU SUZUKI

By the way...
mWhere are your potential cleanup areas?
mWhatfs the next one to tackle, when youfre not sure what else to be doing?
mWhat could you forgive today?
"

Most helpful customer reviews

475 of 491 people found the following review helpful.
David Allen's new book hits the mark.
By Bruce C. Houghton
Let me start by admitting that while I'm a huge fan of David Allen and his wonderful productivity theories and practices, I found his first book "Getting Things Done" a rather tough read. A lot of great info was certainly there, but somehow the way it was written left my head spinning. Eventually I began to understand the systems and implement them, but I couldn't get over the nagging feeling that these theories and practices that were so basic and logical did not have to be so hard to grasp.
All of these shortcomings have been fixed in this great new book. Allen's theories, practices and strategies are delivered in 2-5 page bite sized pieces which much better suit his writing style. Each of the 52 short chapters can be devoured in a few minutes and can be understood and internalized individually or in well organized clusters as fits you best.
In a perfect world I'd suggest skimming Allen's first book so that you get an over view of his "systems"; then read this book for a bunch of "I get it!" moments; and then back to "Getting Things Done" for a more careful read. In fact, that's what I'm going to do.
But even if you never read Allen's first book; this new one is well worth the time because it will force you to look at work, time, and all of the stuff that clutters your mind and life in entirely new ways.

281 of 291 people found the following review helpful.
Unnecessary
By Winter Aura
I can not recommend David Allen's earlier book, Getting Things Done, highly enough. I read it six months ago and continue to follow his system, using the Outlook plug-in sold on his web site. I had made a reminder when I finished that book to re-read it in six months. When the time came, I decided to pick up this book instead. It was a mistake.

Ready For Anything is a series of short inspirational essays on productivity. It has a strong self-help feel to it. If you've read GTD and aren't convinced that the system is worth implementing, maybe this book will sell it to you. For those who are already practicing the system, it doesn't offer a whole lot. Many essays are about the importance of having a system, or the importance of the weekly review, a key element of the system. Others are simply meanderings with no concrete purpose. There are quotes peppered in the margins throughout. While some are thought-provoking, they distracted me from the main text. I'd prefer to see them at the beginning or end of the essay.

If you haven't read Getting Things Done, absolutely read that first. If you need a little motivation to keep you on track, maybe Ready For Anything will help.

36 of 38 people found the following review helpful.
a weekly review?
By David A. Baer
I never thought I could get too much of David Allen, the productivity guru whose `Getting Things Done' system has transformed my work and life habits. But this book borders on too much of a good thing.

At least, that is, if you sit down and read right through it. The trick is to ration.

While I don't know whether the number 52 was chosen to give us a two-to-three page sampling of Allen's writing on a weekly basis, the truth is it works well that way. I'm integrating it into Allen's famous `weekly review', the bone marrow of a productive work-life organism.

In such small doses, it's good stuff. Allen and his staff have culled these reflections from his writings over the year. The power of `GTD' lies in its simplicity, so you won't find vastly divergent essays on politics, literature, and the price of gasoline in Idaho.

What you will find is a simple and tenacious focus on a system that allows you to clear your mind and focus on the one thing you're choosing to do right now.

On balance and in moderation, that's a good thing.

See all 83 customer reviews...

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Senin, 01 September 2014

[Q769.Ebook] Ebook Strange Beauty: Issues in the Making and Meaning of Reliquaries, 400 - circa 1204, by Cynthia Hahn

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Strange Beauty: Issues in the Making and Meaning of Reliquaries, 400 - circa 1204, by Cynthia Hahn

Strange Beauty: Issues in the Making and Meaning of Reliquaries, 400 - circa 1204, by Cynthia Hahn



Strange Beauty: Issues in the Making and Meaning of Reliquaries, 400 - circa 1204, by Cynthia Hahn

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Strange Beauty: Issues in the Making and Meaning of Reliquaries, 400 - circa 1204, by Cynthia Hahn

Reliquaries, one of the central art forms of the Middle Ages, have recently been the object of much interest among historians and artists. Until now, however, they have had no treatment in English that considers their history, origins and place within religious practice, or above all, their beauty and aesthetic value. In Strange Beauty, Cynthia Hahn treats issues that cut across the class of medieval reliquaries as a whole. She is particularly concerned with portable reliquaries that often contained tiny relic fragments, which purportedly allowed saints to actively exercise power in the world.

Above all, Hahn argues, reliquaries are a form of representation. They rarely simply depict what they contain; rather, they prepare the viewer for the appropriate reception of their precious contents and establish the “story” of the relics. They are based on forms originating in the Bible, especially the cross and the Ark of the Covenant, but find ways to renew the vision of such forms. They engage the viewer in many ways that are perhaps best described as persuasive or “rhetorical,” and Hahn uses literary terminology—sign, metaphor, and simile—to discuss their operation. At the same time they make use of unexpected shapes—the purse, the arm or foot, or disembodied heads—to create striking effects and emphatically suggest the presence of the saint.

  • Sales Rank: #3609523 in Books
  • Brand: Brand: Penn State Press
  • Published on: 2012-07-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.00" h x 9.20" w x 10.20" l, 3.05 pounds
  • Binding: Hardcover
  • 336 pages
Features
  • Used Book in Good Condition

Review
Cynthia Hahn offers a refreshing new synthesis on the topic of medieval reliquaries. She shows that they are a form of representation that mediates religious experience of relics as well as their political and institutional meanings. Engaging both primary sources and current theoretical writings, Hahn's text will be of crucial interest to a broader readership concerned with the material embodiment of the sacred and strategies of representation. --Thomas Dale, University of Wisconsin-Madison

About the Author

Cynthia Hahn is Professor of Art History at Hunter College and the CUNY Graduate Center.

Most helpful customer reviews

11 of 12 people found the following review helpful.
COMPREHENSIVE REVIEW OF RELIQUARIES
By TERRANCE D. MERX
This has got to be the most comprehensive study of relics & reliquaries ever! This is NOT a coffee table picture book,but an in-depth study of the art, psychology and manufacture of reliquaries and the meanings behind them. Excellent treatise, but is more for the intellectual and student than for casual entertainment.

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Kamis, 28 Agustus 2014

[M131.Ebook] Download PDF My Brilliant Friend: Neapolitan Novels, Book One, by Elena Ferrante

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My Brilliant Friend: Neapolitan Novels, Book One, by Elena Ferrante

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My Brilliant Friend: Neapolitan Novels, Book One, by Elena Ferrante

A modern masterpiece from one of Italy’s most acclaimed authors, My Brilliant Friend is a rich, intense, and generous-hearted story about two friends, Elena and Lila. Ferrante’s inimitable style lends itself perfectly to a meticulous portrait of these two women that is also the story of a nation and a touching meditation on the nature of friendship.

The story begins in the 1950s, in a poor but vibrant neighborhood on the outskirts of Naples. Growing up on these tough streets the two girls learn to rely on each other ahead of anyone or anything else. As they grow, as their paths repeatedly diverge and converge, Elena and Lila remain best friends whose respective destinies are reflected and refracted in the other. They are likewise the embodiments of a nation undergoing momentous change. Through the lives of these two women, Ferrante tells the story of a neighborhood, a city, and a country as it is transformed in ways that, in turn, also transform the relationship between her protagonists, the unforgettable Elena and Lila.

Ferrante is the author of three previous works of critically acclaimed fiction: The Days of Abandonment, Troubling Love, and The Lost Daughter. With this novel, the first in a tetralogy, she proves herself to be one of Italy’s great storytellers. She has given her readers a masterfully plotted page-turner, abundant and generous in its narrative details and characterizations, that is also a stylish work of literary fiction destined to delight her many fans and win new readers to her fiction.

  • Sales Rank: #359 in Books
  • Published on: 2012-09-25
  • Released on: 2012-09-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.24" h x .99" w x 5.31" l, .90 pounds
  • Binding: Paperback
  • 331 pages

Review
Praise for Elena Ferrante and�The Neapolitan Novels

The United States

“Ferrante’s novels are intensely, violently personal, and because of this they seem to dangle bristling key chains of confession before the unsuspecting reader.” —James Wood,�The New Yorker

“One of the more nuanced portraits of feminine friendship in recent memory.” —Megan O’Grady,�Vogue

“Amazing!�My Brilliant Friend�took my breath away. If I were president of the world I would make everyone read this book. It is so honest and right and opens up heart to so much. Reading Ferrante reminded me of that child-like excitement when you can’t look up from the page, when your eyes seem to be popping from your head, when you think: I didn’t know books could do this!” —Elizabeth Strout,�author of�Olive Kitteridge

“I like the Italian writer, Elena Ferrante, a lot. I've been reading all her work and all about her.” —�John Waters,�actor and director

“Elena Ferrante may be the best contemporary novelist you’ve never heard of”—�The Economist

“Ferrante’s freshness has nothing to do with fashion…it is imbued with the most haunting music of all, the echoes of literary history.”�—The New York Times Book Review

“I am such a fan of Ferrante’s work, and have been for quite a while.” —Jennifer Gilmore,�author of�The Mothers

“The women’s fraught relationship and shifting fortunes are the life forces of the poignant book” —�Publisher’s Weekly

“When I read [the Neapolitan novels] I find that I never want to stop. I feel vexed by the obstacles—my job, or acquaintances on the subway—that threaten to keep me apart from the books. I mourn separations (a year until the next one—how?). I am propelled by a ravenous will to keep going.”—Molly Fischer,�The New Yorker

“[Ferrante’s Neapolitan Novels] don’t merely offer a teeming vision of working-class Naples, with its cobblers and professors, communists and mobbed-up businessmen, womanizing poets and downtrodden wives; they present one of modern fiction’s richest portraits of a friendship.”�—John Powers, Fresh Air,�NPR

“Elena Ferrante is one of the great novelists of our time. Her voice is passionate, her view sweeping and her gaze basilisk . . . In these bold, gorgeous, relentless novels, Ferrante traces the deep connections between the political and the domestic. This is a new version of the way we live now — one we need, one told brilliantly, by a woman.”—Roxana Robinson, The New York Times Book Review

“An intoxicatingly furious portrait of enmeshed friends Lila and Elena, Bright and passionate girls from a raucous neighborhood in world-class Naples. Ferrante writes with such aggression �and unnerving psychological insight about the messy complexity of female friendship that the real world can drop away when you’re reading her.”—Entertainment Weekly

“Ferrante seasons the prose with provocative perceptions not unlike the way Proust did.”�—Shelf Awareness

“It would be difficult to find a deeper portrait of women’s friendship than the one in Ferrante’s Neapolitan novels, which unfold from the fifties to the twenty-first century to tell a single story with the possessive force of an origin myth.”—Megan O’Grady,�Vogue�

“Ferrante’s writing is so unencumbered, so natural, and yet so lovely, brazen, and flush. The constancy of detail and the pacing that zips and skips then slows to a real-time crawl have an almost psychic effect, bringing you deeply into synchronicity with the discomforts and urgency of the characters’ emotions. Ferrante is unlike other writers—not because she’s innovative, but rather because she’s unselfconscious and brutally, diligently honest.”—Minna Proctor,�Bookforum

“Ferrante can do a woman’s interior dialogue like no one else, with a ferocity that is shockingly honest, unnervingly blunt.”—Booklist

“The truest evocation of a complex and lifelong friendship between women I’ve ever read.”�—Emily Gould,�author of�Friendship

“Elena Ferrante is the author of several remarkable, lucid, austerely honest novels . . . My Brilliant Friend is a large, captivating, amiably peopled bildungsroman.”—James Wood,�The New Yorker

“Compelling, visceral and immediate . . . a riveting examination of power . . . The Neapolitan novels are a tour de force.”—Jennifer Gilmore,�The Los Angeles Times

“Those Who Leave and Those Who Stay�surpasses the rapturous storytelling of the previous titles in the Neapolitan Novels.”—Publishers Weekly�(starred review)

“Ferrante’s voice feels necessary. She is the Italian Alice Munro.”—Mona Simpson,author of�Casebook�and�Anywhere But Here

“Elena Ferrante will blow you away.”—Alice Sebold,�author of�The Lovely Bones

“The Days of Abandonment�is a powerful, heartrending novel.”—Jhumpa Lahiri, Pulitzer-prize winning author of�The Lowland�

“The Neapolitan novel cycle is an unconditional masterpiece . . . I read all the books in a state of immersion; I was totally enthralled. There was nothing else I wanted to do except follow the lives of Lila and Len� to the end.”—Jhumpa Lahiri, Pulitzer-prize�winning author of�The Lowland

“Reading Ferrante reminded me of that child-like excitement when you can’t look up from the page, when your eyes seem to be popping from your head, when you think: I didn’t know books could do this!”—Elizabeth Strout, Pulitzer-prize winning author of�The Burgess Boys

“Elena Ferrante: the best angry woman writer ever!”—John Waters, director

“The feverish speculation about the identity of Elena Ferrante betrays an understandable failure of imagination: it seems impossible that right now somewhere someone sits in a room and draws up these books. Palatial and heartbreaking beyond measure, the Neapolitan novels seem less written than they do revealed. One simply surrenders. When the final volume appears—may that day never come!—they’re bound to be acknowledged as one of the most powerful works of art, in any medium, of our age.”—Gideon Lewis-Kraus, author of�A Sense of Direction

“Ferrante tackles girlhood and friendship with amazing force.”—Gwyneth Paltrow, actor

“Elena Ferrante’s The Story of a New Name. Book two in her Naples trilogy. Two words: Read it.”—Ann Hood, writer (from Twitter)

“Ferrante continues to imbue this growing saga with great magic.”—Booklist(starred review)

“One of Italy’s best contemporary novelists.”?—The�Seattle Times

“Ferrante’s emotional and carnal candor are so potent.”—Janet Maslin,�The New York Times

“Elena Ferrante’s gutsy and compulsively readable new novel, the first of a quartet, is a terrific entry point for Americans unfamiliar with the famously reclusive writer, whose go-for-broke tales of women’s shadow selves—those ambivalent mothers and seething divorc�es too complex or unseemly for polite society (and most literary fiction, for that matter)—shimmer with Balzacian human detail and subtle psychological suspense . . . The Neapolitan novels offer one of the more nuanced portraits of feminine friendship in recent memory—from the make-up and break-up quarrels of young girls to the way in which we carefully define ourselves against each other as teens—Ferrante wisely balances her memoir-like emotional authenticity with a wry sociological understanding of a society on the verge of dramatic change.”�—Megan O’Grady,�Vogue

“My Brilliant Friend is a sweeping family-centered epic that encompasses issues of loyalty, love, and a transforming Europe. This gorgeous novel should bring a host of new readers to one of Italy’s most acclaimed authors.”—The�Barnes and Noble Review

“Ferrante draws an indelible picture of the city’s mean streets and the poverty, violence and sameness of lives lived in the same place forever . . . She is a fierce writer.”—Shelf Awareness

“Ferrante transforms the love, separation and reunion of two poor urban girls into the general tragedy of their city.”––The New York Times

“Beautifully translated by Ann Goldstein . . . Ferrante writes with a ferocious, intimate urgency that is a celebration of anger. Ferrante is terribly good with anger, a very specific sort of wrath harbored by women, who are so often not allowed to give voice to it. We are angry, a lot of the time, at the position we’re in—whether it’s as wife, daughter, mother, friend—and I can think of no other woman writing who is so swift and gorgeous in this rage, so bracingly fearless in mining�fury.”—Susanna Sonnenberg, The�San Francisco Chronicle

“Everyone should read anything with Ferrante’s name on it.”—The Boston Globe

“The through-line in all of Ferrante’s investigations, for me, is nothing less than one long, mind-and-heart-shredding howl for the history of women (not only Neapolitan women), and its implicit j’accuse . . . Ferrante’s effect, critics agree, is inarguable. ‘Intensely, violently personal’ and ‘brutal directness, familial torment’ is how James Wood ventures to categorize her—descriptions that seem mild after you’ve encountered the work.”�—Joan Frank,�The�San Francisco Chronicle

“Lila, mercurial, unsparing, and, at the end of this first episode in a planned trilogy from Ferrante, seemingly capable of starting a full-scale neighborhood war, is a memorable character.”—Publishers Weekly

“An engrossing, wildly original contemporary epic about the demonic power of human (and particularly female) creativity checked by the forces of history and society.”�—The Los Angeles Review of Books

“Ferrante’s own writing has no limits, is willing to take every thought forward to its most radical conclusion and backwards to its most radical birthing.”�—The New Yorker


The United Kingdom

“The Story of a New Name, like its predecessor, is fiction of the very highest order.”—Independent on Sunday

“My Brilliant Friend, translated by Ann Goldstein, is stunning: an intense, forensic exploration of the friendship between Lila and the story’s narrator, Elena. Ferrante’s evocation of the working-class district of Naples where Elena and Lila first meet as two wiry eight-year-olds is cinematic in the density of its detail.”—The Times Literary Supplement

“This is a story about friendship as a mass of roiling currents—love, envy, pity, spite, dependency and Schadenfreude coiling around one another, tricky to untangle.”—Intelligent Life

“Elena Ferrante may be the best contemporary novelist you have never heard of. The Italian author has written six lavishly praised novels. But she writes under a pseudonym and will not offer herself for public consumption. Her characters likewise defy convention . . . Her prose is crystal, and her storytelling both visceral and compelling.”—The Economist

Ferrante is an expert above all at the rhythm of plotting: certain feuds and oppositions are kept simmering and in abeyance for years, so that a particular confrontation – a particular scene – can be many hundreds of pages in coming, but when it arrives seems at once shocking and inevitable.”—The Independent


Italy

“Those Who Leave and Those Who Stay evokes the vital flux of a heartbeat, of blood flowing through our veins.”––La Repubblica

“We don’t know who she is, but it doesn’t matter. Ferrante’s books are enthralling self-contained monoliths that do not seek friendship but demand silent, fervid admiration from her passionate readers . . . The thing most real in these novels is the intense, almost osmotic relationship that unites Elena and Lila, the two girls from a neighborhood in Naples who are the peerless protagonists of the Neapolitan novels.”—Famiglia Cristiana

“Today it is near impossible to find writers capable of bringing smells, tastes, feelings, and contradictory passions to their pages. Elena Ferrante, alone, seems able to do it. There is no writer better suited to composing the great Italian novel of her generation, her country, and her time than she.”—Il Manifesto

“Elena Ferrante is a very great novelist . . . In a world often held prisoner to minimalism, her writing is extremely powerful, earthy, and audacious.”—Francesca Marciano, author of�The Other Language

“Regardless of who is behind the name Elena Ferrante, the mysterious pseudonym used by the author of the Neapolitan novels, two things are certain: she is a woman and she knows how to describe Naples like nobody else. She does so with a style that recalls an enchanted spider web with its expressive power and the wizardry with which it creates an entire world.”�—Huffington Post�(Italy)

“A marvel that is without limits and beyond genre.”—Il Salvagente

“Elena Ferrante is proving that literature can cure our present ills; it can cure the spirit by operating as an antidote to the nervous attempts we make to see ourselves reflected in the present-day of a country that is increasingly repellent.”—Il Mattino

“My Brilliant Friend flows from the soul like an eruption from Mount Vesuvio.”—La Repubblica


Australia

“No one has a voice quite like Ferrante’s. Her gritty, ruthlessly frank novels roar off the page with a barbed fury, like an attack that is also a defense . . . Ferrante’s fictions are fierce, unsentimental glimpses at the way a woman is constantly under threat, her identity submerged in marriage, eclipsed by motherhood, mythologised by desire. Imagine if Jane Austen got angry and you’ll have some idea of how explosive these works are.”—John Freeman,�The Australian

“One of the most astounding—and mysterious—contemporary Italian novelists available in translation, Elena Ferrante unfolds the tumultuous inner lives of women in her thrillingly menacing stories of lost love, negligent mothers and unfulfilled desires.”—The Age

“Ferrante bewitches with her tiny, intricately drawn world . . . My Brilliant Friend journeys fearlessly into some of that murkier psychological territory where questions of individual identity are inextricable from circumstance and the ever-changing identities of others.”�—The Melbourne Review

“The Neapolitan novels move far from contrivance, logic or respectability to ask uncomfortable questions about how we live, how we love, how we singe an existence in a deeply flawed world that expects pretty acquiescence from its women. In all their beauty, their ugliness, their devotion and deceit, these girls enchant and repulse, like life, like our very selves.”�—The�Sydney Morning Herald

“The best thing I’ve read this year, far and away, would be Elena Ferrante…I just think she puts most other writing at the moment in the shade. She’s marvelous. I like her so much I’m now doing something I only do when I really love the writer: I’m only allowing myself two pages a day.”�—Richard Flanagan, author of Book prize finalist,�The Narrow Road to the Deep North


Spain

“Elena Ferrante’s female characters are genuine works of art . . . It is clear that her novel is the child of Italian neorealism and an abiding fascination with scene.”—El Pais

About the Author
Elena Ferrante was born in Naples, Italy. She is the author of My Brilliant Friend, The Story of a New Name, and her previous novels�The Days of Abandonment, Troubling Love, and The Lost Daughter.

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204 of 213 people found the following review helpful.
A great book about friendship, but also about poverty, backwardness, and isolation.
By sumoran
This is a great book. Not everybody will enjoy it and it is definitively not a chick-lit.

While this is a book about friendship, I noticed that a lot of people with negative reviews came disappointed with that aspect of the book. This is a brilliant book about more than just friendship. It is also a powerful story about poverty, backwardness, class, and isolation (I know, favorite topics of most readers). What is brilliant about the book's treatment of these problems, is that while it is placed in a specific place and time (Naples in 1950s), it gets to the universal effects these problems create in people's lives from childhood onwards. In essence, it says a lot about poor rural areas or urban ghettoes in the US in 2014.

This is also a book about what it takes to get out of these problems and about the power of example, love, and friendship.

It is written in a direct and sometimes disturbing way. It's raw. There is no hiding or prettifying the truth.

So, if you are looking for a chick-lit, keep looking. If violence and abuse of any kind disturb you, move on. If you want something that will make you feel good at all times, do the same.

Finally, it gets better after a first quarter or so. It is worth sticking with it even if your are not excited early on.

178 of 193 people found the following review helpful.
This Novel is so Creative that it Takes the Reader's Breath Away and Makes One Hungry for the Next Installment
By Bookreporter
This portrait of camaraderie, community and a nation centers on the stories of lifelong friends Elena Greco and Lila Cerullo, two Italian women who grew up together in the same small town just outside of Naples in the years immediately following World War II. The story of their childhoods is told here, reminiscent of a nation facing drastic change. The girls, in early adolescence, are forced down vastly differing paths due to very slight differences in their families' economic status, leading one toward uncertainty while the other enjoys the unrequited benefits of higher education.

This first of a planned trilogy brings to life an old-world culture and fills readers with a passion for history and great storytelling. Elena artfully recalls her childhood, describing her earliest school days at a time when ordinary townsmen called for blunt action and despair. The neighborhood is consumed with a silent, inarticulate rage, shown toward rival families, by parents toward their offspring, and by neighborhood children toward one another. It was a common event of the age to witness a child being beaten by a family member or neighborhood kid, so no one interfered or paid much attention. Life was especially hard for young women and the poorer folks of small communities (which at that time seemed to be just about everyone).

The emphases for these families were dwindling resources, the simple ability to put food on the plate and pay the bills, and the need to provide cheap (child) labor. Women were expected to remain mute and meek always, and to further their families' needs at the expense of their pride and feelings. Family feuds happened routinely; everyone knew about them. But Lila and Elena learned as children --- largely through the power and support of friendship, and due to the positive influence of an exceptionally shrewd and motivating female teacher --- to stand up for themselves, and against all odds, face their fears and find creative solutions to problems, starting with the most immediate one of what to do about their futures.

By embracing pure intellectualism, these girls find a way to cope with their existence and to gather a glimmer of hope. The age is ripe for the Maestro of the school to exert her powers over her pupils, by pitting them against one another, recognizing good work, and challenging all to rise above circumstance and need.

This is the basis of Lila and Elena's early friendship: rivalry and competition. Lila happens to be the most gifted person in her class, and the most hated and taunted child at school. She brazenly flaunts her brilliance, and seems fierce and unafraid. Likewise, Lila seems to find in Elena the one person content and motivated enough to follow her, and the only one who can see clearly to the core of who she is.

Yet, as luck would have it, the girls' paths seem fated to diverge early on. Once the time has come to advance in school, Lila's father refuses to pay the necessary fees (either because he's unable or unwilling,) whereas Elena's father is a porter and so slightly better off. Because the Cerullos are shoemakers by trade, they've become a very despondent bunch, watching the family business slowly dwindle due to the advent of new technologies and factories. Lila's father seems content to leave her laboring and virtually imprisoned in his shoe repair shop --- a situation she despises to the core and that offers no security. Lila also feels keenly the loss of any future for herself through a legitimate education, which to her equates to the loss of free will.

So it is that, by the end of this first installment, Lila becomes a young woman suffering very bitterly for her losses and her simple inability to change her life. The book moves very quickly from her earliest attempts to self-educate alongside Elena, toward other, less certain pursuits wherein Lila hopes to change her lot by influencing others she knows. Hoping for good things to happen, she makes some desperate moves that will clearly come back to haunt her. Her best intentions become twisted in the pursuit of happiness and success, and in the process, both Lila and Elena unwittingly give up on the possibility of real love or the self-empowerment that comes from genuine devotion. Ironies abound.

MY BRILLIANT FRIEND is an extraordinarily meaningful and absorbing read. I can really think of no better praise than to simply say I loved it, though that seems inadequate commendation for such a supremely talented author. I would recommend this book freely to anyone who enjoys history of any kind or a well-written novel. The ending is entirely unconventional and unexpected, so creative that it takes the reader's breath away and makes one hungry for the next installment.

Reviewed by Melanie Smith

131 of 148 people found the following review helpful.
A BRILLIANT NOVEL, FIRST OF A TRILOGY
By ann kern
MY BRILLIANT FRIEND is the first entry in a trilogy which promises to be Ferrante's masterpiece. Rooted in the slums of Naples, it focuses on two hard-bodied, nervy, observant, vividly intelligent girls - best friends - as they grow into womanhood. This first installment is one of the best books about being a girl ever written. This is no pastel, dreamy girl-y book; these children are awake, canny, hungry for life. The entire trilogy will cover some fifty years in the lives of these girls as they grow into maturity, marriage and motherhood, and it promises in addition to be the story of a society and a nation.

Clear-eyed and fiercely feminist, Ferrante's writing is lucid and blessed with a laser focus on telling details. The story moves like a rocket. The English translation of the second installment is due in September 2013. I have already pre-ordered my copy.

This novel contains splendid writing by anyone's standard. There's greatness here.

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Minggu, 24 Agustus 2014

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  • Dimensions: 7.63" h x .37" w x 5.25" l,
  • Binding: Paperback

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Senin, 18 Agustus 2014

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A Squatter's Tale (African Writers Series) (Heinemann Educational Books), by Ike Oguine

This fast-paced novel, by turns comic and moving, reveals what success and failure mean for the young Nigerian at home and in exile.

  • Sales Rank: #2111088 in Books
  • Published on: 2000-06-21
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: .52" h x 5.04" w x 7.80" l, .40 pounds
  • Binding: Paperback
  • 201 pages

About the Author
IKE OGUINE is Nigerian and lives in Lagos.

Most helpful customer reviews

5 of 5 people found the following review helpful.
An African Rake's Progress in Foreign Parts
By A Customer
A humourous and painfully accurate account of the sojourn of Obi, a former undergraduate playboy and yuppie Lagos financier who lives on the fast lane as the Nigerian economy caves in, forcing him into exile as an immigrant in recession-racked early 1990s America. Temporarily reduced to minimum wage employment, Obi's sojourn in the San Franscisco Bay Area transverses the faux glitter world of the Nigerian immigrant elite of successful professionals and academics whose advanced degrees, homes in gated communities and BMWs still cannot purchase them assimilation into 'mainstream America' as well as the netherworld of the American inner city which is a rite of passage for many African immigrants.
Oguine illuminates the dark recesses of the African immigrant experience in contemporary America with an incisive humour. The harsh glare of his torch spares none from the older immigrants who prey on the ignorance of new immigrants, the insular society in which a foreign accent is a debilitating liability, the American employers of undocumented migrants for whom possession of a college degree is acutely problematic, the constant fear of apprehension which afflicts the illegal alien as well as the paradox of those Nigerian immigrants who actively distance themselves from African-Americans while delighting in the popular culture, music and fashion of black America. Oguine certainly does not spare those Nigerians who, having contributed to the ruination of their own country, now seek succour in foreign lands.
The hero of Oguine's first novel evokes reminiscences of another Obi, the protagonist of Chinua Achebe's 'No Longer At Ease' who returns to 1950s Nigeria after years of study in England. Ill at ease in his native land on the cusp of independence from Britain, Achebe's Obi wonders if he was away too long. Oguine's Obi comes to realize that like many a Nigerian immigrant in America, however long he lives in his new homeland, he will always dwell, ill at ease, in a halfway world between America and Nigeria.
A must read for all Africans in America and for scholars of African migration in contemporary times.

3 of 3 people found the following review helpful.
genius
By A Customer
Wonderful book, and incredibly funny. Apt account of the immigrant's life in the US. A must read for all Nigerians.

2 of 2 people found the following review helpful.
Great Book
By A Customer
Wonderful Book. Must read. True Nigerian experience in the US.

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